In October. To the best person ever.
We’re eloping, just going to take off for the weekend and come back married. It’s not on FB yet, so please don’t holler any congratulations at me there:)
But that’s a thing!
This is FANTASTIC.
Yes!! I found this story so interesting this morning. I did a project in film music class in college on Aladdin, and it was pretty notable that Aladdin the character was given themes clearly marked out as Western—and how many of the minor characters, particularly those marked as bad guys, were given the kind of Arab shorthand equivalent of the “Kung Fu Fighting” music. While Disney was being called out for explicit racism in the lyrics, most people weren’t bothering to comment on the much more subtle game they were playing with the score—one that was likely just upholding old prejudiced musical cues that developed in a similar way to this “Asian” theme.
Also I just tried to listen to the Aladdin soundtrack and heard Robin Williams and had to turn it off before I started crying in public.
The use of musical shorthand to signify entire cultures goes back to the classical era. Different cultures over time have been the “go-to” foreign sound. In Mozart’s era it was “Turkish” music and a vague, undefined east that was used - see for example his famous “rondo a la turk” and the Opera “The Escape from the Saraglio.”
In the late nineteenth century the new fashion was “Orientalism” which you saw in many extremely popular Operas of the day with varying success - such a Gilbert and Sullivan’s “The Mikado” and Puccini “Madame Butterfly.” Both these opera were set in Japan, but either had western protagonists as well or were a send up of European culture.
Puccini china-set final Opera “Turandot” is a perfect example of a western composer integrating what he thought was “asian” sounds into his music and using specific musical short hard to do it.
To understand this, you have to know that most western music is based on what’s a scale with seven notes in it (do re mi fa so la ti). Most eratern music is not and is instead based on a Pentatonic scale (do re so la ti). You can play one easily yourself by just playing the black keys on a piano.
In Turandot, Puccini used Penatonic scales all over the place, and the result is beautiful and still not so overly “oriental” that it becomes an offensive pastiche.
Composers all over use short hand in the forms of certain scales, keys, chords and intervals to communicate certain cultures - but it often requires the listener to recognize the “code.” For instance, the opening lines of “Blue Skies” by Irving Berlin were written in a way that was meant to sound “Jewish” (Given that Irving Berlin was a Russian Jew, this is understandable) and the listeners back in the 1920s would have known and heard that.
All in all a fascinating subject!
This is the first thing I read on the internet this morning.
Ok so…why do soccer players fall down and grab their legs for nothing, but keep running like NOTHING happened when their skulls crack together?
I’m having a really hard time with 30 year old women who can’t date today.
If you can’t get it together, don’t expect some stranger to get it together for you. If you’re too afraid to ask for what you want from a man (for fear of upsetting some delicate ego balance), you don’t deserve it. And if he thinks you’re “crazy” and “stage 5” for having to answer some basic questions about dating you, then fuck him (or…don’t!). And vice versa.
You don’t mope around your workplace wondering when your next shift is - you ask your boss for a schedule and show up. EVEN IF YOU’RE NEW. Or…especially if you’re new. RIGHT?
WHY ARE PEOPLE SO STUPID WITH OTHER PEOPLE?
i’m raging out.